Barbara Balfour
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CONFERENCE PRESENTATIONS
2018                
IMPACT 10 International Printmaking Conference, Santander, Spain: Paper entitled “Reading Material”   
​
2017                
The Fourth Annual David Foster Wallace Conference, Normal, Illinois, USA: Chair of special panel on empathy “Between You and Me: ‘Feeling Into’”; Paper entitled “A Supposedly Fun Thing I’d Like to Do Again”
 
2016                
The Universities Art Association of Canada Conference, Montreal, QC: Paper entitled “Deadpan Dead On”
Kyoto Hanga 2016 Symposium, panel discussion, Kyoto Municipal Art Museum, Japan: Paper entitled “Going Glocal”
The Third Annual David Foster Wallace Conference, Normal, Illinois, USA: Paper entitled “Spectral Apostrophe and The Inkiest Black”
Southern Graphics Council International Conference, Portland, OR, USA: Chair of panel “The Same, But Different”  

2015                
IMPACT9 International Printmaking Conference, Hangzhou, China: Panel entitled “Being There: Artist Residencies as Sites of Creative Presence”
The Universities Art Association of Canada Conference, Halifax, NS: Paper entitled “When Writing Becomes Reading”
 
2014                
The Universities Art Association of Canada Conference, Toronto, ON: Paper entitled “It’s Not All Over Until It’s All Over: Incomplete Works”
 
2013                
IMPACT8 International Printmaking Conference, Dundee, Scotland: Paper entitled “What it is…”
The Universities Art Association of Canada Conference, Banff, AL: Chair of panel “Writing on the Wall: Write Now“
 
2012                
College Art Association Conference, Los Angeles, California: Paper, “Carved in Stone or Written in the Sky: The Stuff That Words Are Made of”
The Universities Art Association of Canada Conference, Montreal, QC: Paper, "The Multiple Choice of Disciplines: This, and/or That, or, All of the Above"
 
2009                
College Art Association Conference, Los Angeles, California: Paper entitled “Read This If You Can; Or, Reader Beware”
 
2008                
The Universities Art Association of Canada Conference, Toronto, ON: Chair of panel “The Anxiety and Ecstasy of Influence; Or, Copycat! Copycat!”
 
2007                
Symposium concurrent with the Falun Triennial, Dalarnas Museum, Falun, Sweden: Paper entitled “Reading the Fine Print”
The Universities Art Association of Canada Conference, Waterloo, ON: Co-chair, with Yam Lau, of panel “Text As Medium” panel
 
2006                
The Universities Art Association of Canada Conference, Halifax, NS: Paper entitled “Writing Artists: signature, lists, and other textural iterations”
 
2002                
The Universities Art Association of Canada Conference, Calgary, AL: Paper entitled "Printing Errors and Other Wrongs" 
 
2001                
The Universities Art Association of Canada Conference, Montréal, QC: Paper entitled "Portrait of the Artist: Seventeen Examples of Diachronic Disunity"        
College Art Association Conference, Chicago, Illinois: Paper "Digital Utopia: Navigating Non-Space"

2000                
The Universities Art Association of Canada Conference, Winnipeg, MN: Paper entitled "Digit: Finding One's Way Through Contemporary Print Media"
Uncommon Senses Conference on the Senses in Art and Culture, Concordia University: Paper entitled "The Transference of Absence: Imprint and Imprimatur "
 
1998                
The Universities Art Association of Canada Conference, University of Western Ontario, London: Paper entitled "Reports of the Death of Print Have Been Greatly Exaggerated, or, My Life as a Double Agent"
 
1997                
The Universities Art Association of Canada Conference, Emily Carr Institute of Art & Design: Performative video presentation entitled "Self-Healing, Twice Removed"
Console-ing Passions Conference on Film and Video, Montréal: Performative video presentation entitled "Self-Healing in a Time-Based Medium"
 
1996                
The Universities Art Association of Canada Conference, McGill University, Montréal: Paper entitled "Venus Fly Trap: Cross-Pollination in the Collective Process"
 

© Barbara Balfour 2020